In December 2018, Der Spiegel, one of Germany’s top news magazines, was rocked by a scandal that shook the media world. It was revealed that one of its star reporters, 33-year-old Claas Relotius, had falsified stories “on a grand scale.” In dozens of investigative articles, Relotius simply made up key details, conversations and scenes that were published as factual, well-researched journalism.

Der Spiegel called it the lowest point in its 70-year history. The revelation has also forced some soul-searching at the magazine and across the media, especially in Germany.

If Relotius won prizes for his work, what does that say about the standards set by the media? What are we looking for in storytelling and “quality journalism?” Spiegel admitted that he delivered exactly what everyone wanted, and his falsified reports were awarded for their vivid depiction of place and character that created an emotional connection with readers. But those details were all imagined, and Relotius’ reporting was indeed too good to be true.

Sandra Petersmann, a DW foreign correspondent, who has a long career in investigative reporting, wrote after the case broke that foreign investigative reporting is the “pinnacle of journalism” and that Relotius’ actions amounted to “journalistic treason.”

The truth might not always fit the narrative journalists have in mind, but the pressure of the digital media age and the competition for the audience’s attention in a crowded world of information, can create an incentive for reporters to bend the facts to suit the story.

In a media landscape that is becoming more fractured and contentious, the Spiegel incident provides ammunition to opponents of the liberal media; armed with slogans of “fake news” and “liberal bias.” And critics of the media may have a point, namely that the media live in a self-serving and self-congratulatory bubble.

DW’s Director General Peter Limbourg recently told the CIVIS media conference in Berlin that it was “absurd” that there are more than 500 journalist prizes given out in Germany – when resources put into awards galas could be better invested in reporting and research.

“Our profession is now at the forefront of self-adulation,” said Limbourg, adding that although journalists are unpopular, they are constantly “celebrating themselves.”

But despite these self-inflicted wounds, the media has more potential than ever before to inform more people and help shape public debate over critical issues. More people are paying attention to politics, policy and need explanation and guidance to big issues that affect their lives. And in a country like Germany, journalists enjoy press freedom and well-financed public broadcasting.

And as Peter Limbourg said, any media reform needs to ensure that the media and the principles it is based upon remain sound. “The enemies of our society are just waiting to see if we are dumb enough to destroy ourselves,” he said.

The Relotius scandal is a reminder that reporting the truth is at the marrow of good journalism, whether it is journalists exposing those in power, or even one of their own. And even if the public trust in journalism is constantly in question, the path forward remains the same – “Respect for the truth, respect for human dignity and the delivery of truthful information to the public are the supreme duties of the press.”

India is at an environmental crossroads. As the country grows its economy and brings more of its population out of poverty, it is producing an extreme level of air, water and ground pollution.  At the same time, India is experiencing a revolution in renewable energy development like solar power.

DW’s new environmental magazine for India, Eco@India, brings you the stories, people, challenges and innovations that are changing India’s approach to environmental issues. The format takes a personal approach and focuses on individuals and local projects. With this local focus, Eco@India puts a spotlight on India’s movement towards sustainable and ecological development – one person, city and region at a time.

Some highlights include entrepreneurial solutions to metropolitan waste management, cleaning India’s dirtiest river and fighting noise pollution in Mumbai.

Each episode of Eco@India also includes segments on European cities and sustainable practices that demonstrate how environmental preservation is truly a global issues and solutions require international cooperation.

Eco@India comes along with the success of the show’s African format, Eco@Africa, which is currently on its second season. Be sure to catch the latest episodes of Eco@India this January and February, with new episodes broadcast every Friday.

Americas

The Colombian TV news channel Cablenoticias is now including Euromaxx, En forma, Visión futuro and Todo gol in its lineup. The TV channel is available in 13 countries in Latin America and more than 10 million households.

LINK TV in the United States in now broadcasting DW’s The Day during prime time. LINK TV reaches more than 24 million households in the United States and focuses on international content.

 

Asia

Indonesia’s largest IPTV and OTT provider UseeTV will now be broadcasting DW’s TV magazine Inovator, on linear TV and as video on demand. UseeTV is available in 1.2 million households. In addition, regional broadcasters SaktiTV and JawaposTV are now also broadcasting Inovator.

The Indonesian news portals Elshinta.com, Kontan.co.id und TribunNews.com are now including DW’s online content on their websites.

The cable providers CablePlus Karachi, DonCable Multan and FiveStar Gujranwala are now including the English TV channel in their basis package. Together, the new DW partners reach more than 80,000 households in Pakistan.

 

In a six-part special report currently on dw.com, a team of DW reporters are presenting an unfiltered picture of ultraconservative Islam in Germany.

Salafism is an issue that is at the crossroads of important social questions facing German society involving culture, belief and integration. As Germany’s international broadcaster, DW’s journalism takes a global perspective and is uniquely suited to cover intercultural issues.

After many weeks of reporting and meeting with leaders of the Salafist movement along with community officials and ordinary people in cities, the project gets to the heart of this issue like never before.

The first article in the series covers how Salafism has become less publicly visible since 2016, but maintains strength as an “underground” force, working to draw in new adherents and expanding networks.

According to the report, “Salafism is an extremely conservative current within Islam,” whose followers, “interpret the Koran literally and orient themselves exclusively on how the Prophet Mohammed and his immediate successors lived the religion.”

The report reveals how many Islamist extremists start out as Salafists.

This is revealed by an especially gripping and emotional interview with the mother of a young German man who was killed fighting for IS in Syria. Before leaving everything behind to live with Islamist radicals, he had become a radicalized Salafist in Germany.

The DW journalists who produced the series said they used a variety of methods to reach interview subjects, including creating a Facebook profile and subscribing to Salafist leaders and following commentaries. For example, the mother of the German killed fighting for IS was first contacted on social media. And although many people weren’t willing to speak publically, social media remained a key aspect of reporting.

The DW series on Salafism in Germany is a stark and honest portrayal of the roots of Islamic extremism delivered with journalistic objectivity that allows each protagonist to openly share their beliefs. The result is a thorough piece of investigative reporting that everyone who wants to understand the future of Islam in Germany should read.

Asia

DW’s popular Indonesian science magazine, Inovator, is being broadcast by even more Indonesian partners. TV9 Nusantara in Surabaya, TirtaTV in Tangerang, JayaTV in Papua and JakTV in Jakarta und Medan are including a weekly episode of the popular show in their lineup. Select episodes are also available on-demand.

Iflix, Asia’s largest OTT provider, is a new DW partner with on-demand content from DW in English being provided to 15 million households in 30 Asian countries, including India, Pakistan and Indonesia. Along with linear TV, Iflix also includes series from DW’s documentary catalogue, DW Transtel.

The Singapore-based OTT platform HOOQ is now carrying a DW English HD livestream that is available in Singapore, Indonesia, Thailand, India and the Philippines. The service also includes a subtitle function for DocFilm documentaries. The HOOQ app has around 30 million downloads and in Indonesia alone, it has 2 million users.

The Karachi-based cable providers Lucky Seven and Luvis Cable, along with New Grand Dera Ghazi, New Links Peshawar, New Eagle Rawalpindi will broadcast DW’s English TV channel as part of their basic packages. Together the partners reach 60,000 households in Pakistan.

Europe

Starting in October, Telenor Norway will include DW in its TV lineup. Based in Fornebu near Olso, the broadcaster reaches 520,000 households.

The largest streaming service in Europe, Zattoo, is streaming all four of DW’s television channels. Zattoo has over 20 million subscribers.