All eyes and ears are on DW
Two DW productions won three prizes at the 16th international Eyes and Ears Awards last week in Munich.
DW’s musical documentary, The Highest Level, which takes audiences behind the scenes at the Berlin Philharmonic Orchestra, won two awards: A first prize in the category, “Creation, innovation and effectiveness” and a third prize in the “Best program related audio design” category. The promotion for Germany by scooter won second prize in the category “On-air program campaign: information.”
A total of 127 prizes in 46 categories were awarded for outstanding design, promotion and marketing of audiovisual media at the conference, which was held as a part of Mediatage München, one of Europe’s largest media conferences.
Where does the rabbit hole of user generated content lead?
Head of Innovation Projects at DW
Couch potatoes aren’t inactive anymore. The days of uninterrupted attention are long gone, replaced by multi-device interaction on a massive scale. On average, 61 percent of TV viewers worldwide scan more than one glowing rectangle at a time. For news broadcasters to fully realize the potential of using the second screen, it is important to maintain a high-standard of conversation and discourse as a complement to informational content rather than simply providing an expansion on entertainment.
The advantages of using the second screen to both expand the audience base while providing them with a richer user experience will best be realized if the conversation takes place in an information-rich and well-organized environment.
Building and maintaining high-standard second screen platforms is a new part of the journalistic responsibility for accuracy and verification as the public forum has moved away from editorial pages and onto social networks. In contrast to the anarchy of the comments section, developing the conscientious use of the second screen as a public forum and promoting an intelligent exchange is an important value of public service media.
So what is next for the second screen? The EU co-funded project SAM (Socialising Around Media) is developing a Social Media delivery platform based on second screen and content syndication. It delivers content to the user rather than the user having to “pull” relevant material from digital sources and social networks. Since there are currently no standards for users, SAM aims to develop a standardized way to discover and syndicate media content interactively while providing users with content that is directed at their interests without them having to search for it manually. One part of this is creating dynamic social “hangouts” where people share interests, socialize and build virtual communities.
But the second screen is more than just a one way street and it has long been a way to access users’ thoughts, opinions and approval. It is also a place to mine for content and create real-time user experiences based on what is happening on television and on the streets. But broadcaster beware: How can we ensure that everything that is contributed is real and not some type of catfish scheme?
Here is where verification comes in. The REVEAL project focuses on verification technologies, tools and strategies in order to help journalists identify trustworthy user generated content on social networks. This includes assessing aspects such as the credibility of contributors, their reputation and influence, the quality of content items, establishing the right context and much more.
For journalists and broadcasters alike, mastering the flow of content through online networks is a primary focus of development and innovation. DW’s Innovation team is contributing to projects like SAM and Reveal to make sure the future of digital media looks as bright as we think it should.
DW host is a UN ambassador for women’s rights
Jaafar Abdul Karim, host of DW’s Shabab Talk, uses the program as a platform for sharing ideas and changing minds. A recurring theme on the show is women’s rights and Karim is the right person to shed light on the issue– he was recently named as an ambassador for UN Women. He is also an active supporter of HeForShe, an international solidarity movement for gender equality that emphasizes the role of men in ensuring equal rights for women. In November Karim will be hosting an event in Bonn organized by HeForShe’s German branch.
Karim’s appointment as a UN Women ambassador also made waves in Arabic media. “It signals that it isn’t yet exepected for men to stand up for equal rights,” he says. “There are a lot of men in Arabic countries who do not support equal rights between men and women and even some who think it is wrong.” He says that especially in Arabic countries, there is very little media coverage devoted to important social issues like equal rights for women.
Shabab Talk gives young people from the Arab World a place where they can share ideas and DW sets an international stage for Karim where important issues can be discussed and brought out of the dark. “I think it is important that we at DW provide a voice for equal rights and a platform where everyone can discuss their lives,” he says.
DW is promoting new documentaries at MIPCOM 2014
Representatives from DW are currently at MIPCOM 2014 to present special DW programming highlights to potential partners from around the global entertainment industry. At the top of the list this year are two new documentary formats from DW Transtel.
For everyone who has an international taste for cuisine, Tasty Tales is a seven-part series that profiles the people, culture and history of different culinary traditions around the globe. The series delivers audiences an inside look at food from around the world and is an excellent addition to any programming line up.
Another programming highlight this year is On Island Time, a series that takes audiences on a journey to islands from the Arctic to the tropics and explores the people who lead a life that is bound closely to the ocean. Viewers will surely enjoy the visual vacation that is provided by this series.
MIPCOM 2014 is taking place in Cannes, France and runs from 13-16 October.
Weaving individual stories to create a unique viewing experience
Guest commentary
Fabian von der Mark, Senior Producer for Life Links
In the multimedia age, good television programming will succeed by standing out from the content overload that is constantly bombarding audiences. People may expect something different from TV journalism than they did ten years ago but they still pay attention to stories that reach them personally with dynamism, insight and perspective.
There is no precise formula for creating original television, but good storytelling and a compelling protagonist are fundamental elements that will always connect with audiences. Everything starts with reporters in the field. For our new multimedia series, Life Links, we have put together a diverse team of young journalists and are sending them around the world to meet young people and listen to them talk about the issues that are holding them back.
We start with a core concept for each episode, but it comes down to the creativity and insight of our reporters to tie the essential elements together and find the story behind the story. The process is unscripted and nothing is guaranteed, but we are not looking for predictable answers. We are trying to share the stories of a generation with real people who tell it like it is, not like we think it should be.
If you look closely, you will see that the young people who share their stories with us may come from many different places – but they also have many things in common. We have interviewed North Korean defectors, Roma in Paris or Bolivian coca farmers and we work together as a team to take these individual stories and weave them together to create a single voice that speaks clearly about universal problems. The depth of experience and the international environment at DW makes it the perfect atmosphere to bring these stories to life.
As the series takes off we will explore how issues like identity, drug use and family problems affect individuals in different ways. Through telling these stories on television and by heavily incorporating online multimedia, we can create a global narrative and begin conversations with which young people everywhere can share their realities. The result are documentaries that stand out and speak out.
The obstacles every young person faces are as diverse as the dreams they are trying to realize. I believe the stories shared on Life Links will ultimately show us that sometimes what holds you back can also be what drives you forwards.
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